Course Description

This course is meant to be a space for you to examine and deepen your relationship to the field and your own practice through readings, discussions, and presentations.  The readings are meant to expand your perspective on the field of jewelry and metalsmithing, to define its particularities and concerns in relation to the discourses of the contemporary art world.

Together we will explore a series of seminal theoretical texts, seeking ways to relate them to our own practice.  Through these texts we will encounter a series of themes and historical perspectives that are crucial to the field of jewelry, while also delving into fields and areas of inquiry, that have not commonly been related to our field, but perhaps should or could be.  Our aim is to get a historical and interdisciplinary perspective on where we are as artists/makers today, how we got here and where we could go from here. The course aims to bring up critical questions on why we make, whom we make for and the meaning of our practice beyond the studio and the jewelry and metals world.

This is a chance to practice your skills in connecting theory, reading and writing to your work and to build a vocabulary and ground of reference around your ideas, interests and intentions. It’s a chance to take part in an intense discourse around your field, which you might be asked to do many times in the future of your career.

The Wednesday meetings will adopt the form of a reading/talking circle. Your role in the group is important and the success of our conversations will be based on your participation and engagement. We will all take turns in presenting and leading the discussion and also examine what “research through practice” might mean for us, by exploring some ways of connecting theory and making. 

Nov 1, 2009

So what about D. W. Winnicot?!?


Donald Woods Winnicott (1896– 1971) was an English pediatrician, psychiatrist, sociologist and psychoanalyst. He completed his medical studies in 1920, and in 1923 he obtained a post as physician at the Paddington Green Children's Hospital in London, where he was to work as a pediatrician and child psychoanalyst for 40 years.

In his work with psychologically disturbed children and their mothers, Winnicott developed some of his most influential theoretical concepts, allowing him to construct his vision of what psychotherapy should aim to achieve. Central to understanding the notions of his view of object relations and the ideal therapeutic holding environment, are the notions of subjective omnipotence, objective reality, the transitional object and the transitional experience. In a person’s development these are extremely important because according to Winnicott, the effects of these stages span vastly beyond infancy and explain adult dysfunction: an autistic or self-absorbed individual remains in the subjective omnipotence phase, while a person superficially adjusted but not unique or passionate has not progressed past their objective reality.

The transitional experience is, therefore, crucial to a person’s development, as it allows them to connect their self-expression with the subjectivity of others. It is at this point that a child progresses from the symbiotic relationship with their mother to individualization and departs from both purely subjective and purely objective points of view.

???How does this relate to site-specific art???

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