Course Description

This course is meant to be a space for you to examine and deepen your relationship to the field and your own practice through readings, discussions, and presentations.  The readings are meant to expand your perspective on the field of jewelry and metalsmithing, to define its particularities and concerns in relation to the discourses of the contemporary art world.

Together we will explore a series of seminal theoretical texts, seeking ways to relate them to our own practice.  Through these texts we will encounter a series of themes and historical perspectives that are crucial to the field of jewelry, while also delving into fields and areas of inquiry, that have not commonly been related to our field, but perhaps should or could be.  Our aim is to get a historical and interdisciplinary perspective on where we are as artists/makers today, how we got here and where we could go from here. The course aims to bring up critical questions on why we make, whom we make for and the meaning of our practice beyond the studio and the jewelry and metals world.

This is a chance to practice your skills in connecting theory, reading and writing to your work and to build a vocabulary and ground of reference around your ideas, interests and intentions. It’s a chance to take part in an intense discourse around your field, which you might be asked to do many times in the future of your career.

The Wednesday meetings will adopt the form of a reading/talking circle. Your role in the group is important and the success of our conversations will be based on your participation and engagement. We will all take turns in presenting and leading the discussion and also examine what “research through practice” might mean for us, by exploring some ways of connecting theory and making. 

Oct 28, 2009

Lauren Kalman






The body as site is crucial to Lauren Kalman's work which blurs the boundaries of adornment. She pulls from discourses centered on the imaged body, consumer culture, body aesthetics, and illness.

She grew up in Cleveland, Ohio. She completed her MFA in Art, from the Ohio State University and received her BFA, with a focus in metals, from Massachusetts College of Art. She has taught at Brown University, Rhode Island School of Design and has held the position of Assistant Professor at Watkins College of Art and Design. Her international exhibition record includes a solo exhibition at the Centro Cultural Recoleta, in Buenos Aires. Her work was recently added to the collection of the Museum of Fine Art in Boston.

She hopes to use her art to affect social thought. By creating objects and images that are unconventional in their relationship to the body she is questioning traditional values. In making her work she has become more aware of the values she ascribes to her body and the objects used to adorn it. Through her work, She hopes to communicate alternative thought about material worth, social custom, and the body.
http://www.laurenkalman.com
http://www.siennagallery.com/exhibitions_kalman2.php
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