Course Description

This course is meant to be a space for you to examine and deepen your relationship to the field and your own practice through readings, discussions, and presentations.  The readings are meant to expand your perspective on the field of jewelry and metalsmithing, to define its particularities and concerns in relation to the discourses of the contemporary art world.

Together we will explore a series of seminal theoretical texts, seeking ways to relate them to our own practice.  Through these texts we will encounter a series of themes and historical perspectives that are crucial to the field of jewelry, while also delving into fields and areas of inquiry, that have not commonly been related to our field, but perhaps should or could be.  Our aim is to get a historical and interdisciplinary perspective on where we are as artists/makers today, how we got here and where we could go from here. The course aims to bring up critical questions on why we make, whom we make for and the meaning of our practice beyond the studio and the jewelry and metals world.

This is a chance to practice your skills in connecting theory, reading and writing to your work and to build a vocabulary and ground of reference around your ideas, interests and intentions. It’s a chance to take part in an intense discourse around your field, which you might be asked to do many times in the future of your career.

The Wednesday meetings will adopt the form of a reading/talking circle. Your role in the group is important and the success of our conversations will be based on your participation and engagement. We will all take turns in presenting and leading the discussion and also examine what “research through practice” might mean for us, by exploring some ways of connecting theory and making. 

Oct 1, 2009

Who Are You Johann Wolfgang von Goethe?

While reading Ornament and Crime (1908)by Adolf Loos and Art and Industry (1935) by Hebert Read- I noticed that the German writer Goethe was referred to by both writers. 

Loos writes in reference to clerical gentlemen, "Man had gone far enough for ornament no longer to arouse feelings of pleasure in them... And I said: See, Goethe's deathchamber is finer than all Renaissance splendour and a plain piece of furniture more beautiful than any inlaid and carved museum pieces. Goethe's language is finer than all of the ornaments of Pegnitz's shepherds (288)."

While writing about Josiah Wedgewood as an industrial genius, Read introduces the comparison drawn by the German poet and philosopher Novalis between Wedgewood and Goethe. "Goethe, he said is the completely practical poet. "His works are like the Englishman's wares-extremely simple, neat, convenient, and durable. He has done for German literature what Wedgewood did for English art. He has, like the Englishman, by virtue of his intelligence, acquired a fine taste, which taste is economic in nature. Both men go together very well, and have a near affinity in the chemical sense (40)."

I felt out of the loop for my ignorance to this well respected man. Due to lack of time forgive my using Wikipedia as my primary source for the biography of Johann Wolfgang von Goethe!

Johann Wolfgang von Goethe (German pronunciation: [ˈjoːhan ˈvɔlfɡaŋ fɔn ˈɡøːtə]  (Speaker Icon.svg listen), 28 August 1749  – 22 March 1832) was a German writer and, according to Gregory Maertz, "Germany's greatest man of letters… and the last true polymath to walk the earth."[1] Goethe's works span the fields of poetrydramaliterature,theologyphilosophyhumanism and science. Goethe's magnum opus, lauded as one of the peaks of world literature, is the two-part drama Faust.[2] Goethe's other well-known literary works include his numerous poems, the Bildungsroman Wilhelm Meister's Apprenticeship and the epistolary novel The Sorrows of Young Werther.

Goethe was one of the key figures of German literature and the movement of Weimar Classicism in the late 18th and early 19th centuries; this movement coincides withEnlightenmentSentimentality (Empfindsamkeit), Sturm und Drang and Romanticism. The author of the scientific text Theory of Colours, his influential ideas on plant and animal morphology and homology were extended and developed by 19th century naturalists including Charles Darwin.[3][4] He also served at length as the Privy Councilor ("Geheimrat") of the duchy of Weimar.

Goethe is the originator of the concept of Weltliteratur ("world literature"), having taken great interest in the literatures of EnglandFranceItalyclassical GreecePersia,the Arab world, and others. His influence on German philosophy is virtually immeasurable, having major effect especially on the generation of Hegel and Schelling, although Goethe himself expressly and decidedly refrained from practicing philosophy in the specialized sense.

Goethe's influence spread across Europe, and for the next century his works were a major source of inspiration in musicdramapoetry and philosophy. Goethe is considered by many to be the most important writer in the German language and one of the most important thinkers in Western culture as well. Early in his career, however, he wondered whether painting might not be his true vocation; late in his life, he expressed the expectation that he would ultimately be remembered above all for his work on colour.

http://en.wikipedia.org/wiki/Main_Page




1 comment:

  1. "Any object well contemplated creates a new organ of sight" -Goethe.

    wonderful.

    ReplyDelete